Jacob Alberts

Hallig Parlour (Gröde), 1894

The world of the Halligen islands and the avant-garde – Jacob Alberts, a native of North Frisia, always remained committed to painting his homeland, and he was simultaneously one of the founders of the progressive “Vereinigung der XI”. This “Union of the XI” organised their own exhibitions within a late-19th-century Berlin art scene that was still not particularly open to new developments. Later he was also a member of the “Berlin Secession”, an artists’ group that was centred around Max Lieberm...

Signature: J. Alberts, lower right

Inscription: Eigentum v. H.K.W.J 34, backside, stretcher

Inscription: V.B.K. 2022, backside, stretcher

Numbering: 6, backside, canvas

Numbering: 2346, backside, strecher

Label: 676, backside, strecher

Sammlung Jürgen Rasmus, Hamburg (2002); MKdW 2002).
Jacob Alberts 1860–1941. Retrospektive mit einem Werkverzeichnis von Hans-Jürgen Krähe, Husum 1999, Abb. S. 33.
Ulrich Schulte-Wülwer: Föhr, Amrum und die Halligen in der Kunst, Heide 2004 (2. Auflage), S. 81–93.
Lea Heim: Jacob Alberts 1860–1941, Halligstube (Gröde), in: Kunst und Küste. Ausgewählte Werke der Sammlung Kunst der Westküste, hrsg. von Thorsten Sadowsky, Alkersum/Föhr 2013, S. 30, Abb. S. 31.

Jacob Alberts (1860 - 1941)

Hallig Parlour (Gröde)

1894

Oil on canvas

71 x 78 cm

Human

Inv.-Nr. 2 ALB 01

Museum Kunst der Westküste

Access 2002

Not on display